News Archives - June 2010
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Suzzie Vango has been vocal coach to the
Wyre Forest Young Voices for the past five years. In that time she has made a
major contribution to the development of the choir - helping to produce the
beauty of tone which is such an admired feature of the Young Voices, looking
after the voices of individuals within the choir, and generally being a much-loved
"older sister". In her five years in Kidderminster
she has remained very committed to the choir, despite a burgeoning career which
has included singing with Ex Cathedra and Polyphony, developing a career as a
solo singer, directing singing weeks for the National Children's Choir and
directing the boys’ choir of the Farnham Youth Choir. We shall miss her
enormously - but we are pleased that James Jones, who is equally distinguished as a
singer and a musician, will take her place from September.
Geoffrey Weaver
For
the first time since 2005, Kidderminster Choral Society was able to welcome a
large number of the Theodor Storms Chor members from our
twin town, Husum in North Germany. Twenty-
five TSC members, together with two non-singing partners, arrived by air to
stay for four nights, from Thursday May 20 until Monday May 24. Two members,
who were afraid that the volcanic ash would prevent their planned return, chose
to stay at home. Heinrich and Renate Linkogel, the organisers, had arrived on Tuesday May 18 to stay with Bob and
Pauline Powell for a week, and Georg Weßler, who is a frequent visitor to Kidderminster, elected to travel all the way by train,
staying once again with Penny and Ray Harrowing.
Eight
TSC members had chosen to stay in a hotel, so were booked in at the
Gainsborough House on Bewdley Hill.
Choral Society members acted as their taxi drivers for the long weekend.
The others were hosted by KCS members.
There
was a very full programme, beginning straightaway on
the Thursday evening with a rehearsal at Baxter Church Hall of Rossini's Petite Messe Solennelle. This was the first time that
the two choirs had had a combined rehearsal. On Friday there were a few hours
free for everyone until 4.00 p.m., when Charles Talbot took many of the guests
on a guided tour around the Town Hall. This was followed by a full rehearsal
from 5.30 p.m. until 7.30 p.m. in the Music Room. Immediately afterwards 59
members of the two choirs, with their partners, enjoyed an excellent meal
provided by Plyvine in the Corn Exchange.
Saturday
morning was free for everyone. At 2.00 p.m. all assembled in the Town Hall for
the final rehearsal of the Rossini, conducted once again by Geoffrey Weaver.
The concert began at 7.30 p.m. Unfortunately the audience was small but the
performance was excellent and was well-received. Marcus Huxley and Beverley
Wragg accompanied the singers on the organ and grand piano respectively. The
soloists were Margaret Cooper (soprano), Helen Evora (mezzo soprano), Russell
Painter (tenor) and Alan Fairs (bass) - a last-minute replacement for Tom
Stoddart who was unable to take part due to illness.
On
Sunday all 27 TSC singers and 35 KCS singers travelled to the Symphony Hall in Birmingham to take part in a Simon Halsey
Singalong with the CBSO. This time the work to be performed was Brahms’s German Requiem – performed in German.
The choir numbered over 1300!! Rehearsals began at 1.30 p.m. with the
'performance' at 7.00 p.m. It was great fun as usual. On Monday everyone had to
be up early for our guests to catch the coach to Birmingham at 8.15 a.m. The sun had shone
brilliantly throughout the weekend with amazingly hot temperatures. Everyone
was sad to say Goodbye after such a busy and enjoyable few days.
The two choirs have a wonderful relationship which we
all hope will last for many more years.
Pauline Powell
On Saturday
27 March, in Kidderminster
Town Hall, a
near-capacity audience enjoyed a concert of Czech and Hungarian music performed
by the Choral Society, a fine quintet of guest soloists, and the Elgar Sinfonia
- all under Geoffrey Weaver’s baton.
The evening
began with Smetana’s rumbustious Dance of the Clowns, and continued with
Dvořák’s gorgeous Song to the Moon, sung with great passion by soprano,
Linda Richardson. Then came the intensely emotional Missa Brevis by
Kodály. The familiar words of the Mass sounded strange against the often exotic music!
Kodály made use of plainchant, but this work is imbued with the influences of
Hungarian folk music, with its characteristic rhythms, phrasing and modal
nature. Taking into account the fact that Kodály completed this piece in Budapest during the
horrors of World War II, while he and his wife were actually in hiding, the
final Dona nobis pacem plea of the Agnus Dei becomes all the more
compelling.
The evening
ended with Dvořák’s youthful Stabat Mater, a work of lush orchestral colours, and
the composer’s melodic gifts well to the fore. Much of the work is operatic in
style, especially the writing for the four soloists. In Dvořák’s setting, the
liturgical sequence is divided into ten parts, with the first (Stabat Mater
Dolorosa) and the last (Quando corpus morietur) thematically linked.
The final section contains a complex, but wonderfully exhilarating Amen fugue.
Peter Knott
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